The highly anticipated 3D animated musical film Grammy and the Living Things has officially hit cinemas, marking a major milestone for Utricle Studios. Known for combining cutting-edge animation, original music, and rich storytelling, the film brings together an impressive cast, including renowned rapper Jude Abaga (M.I), legendary actors Pete Edochie, Joke Silva, Bimbo Akintola, Segun Arinze, John Dumelo, and comedian Bovi.
Sharing insights into his lead role, Jude Abaga, who voices the character Gammy, reflected on his personal connection to the story:
“I would say, I have been where Gammy was. When I was in Jos before moving into Lagos where my career started, I had this dream of making it big. A lot of times when you want to make it big, it is like where you are is too small or people around you do not have the same big dreams as you. That is where Gammy is. Gammy represents any young Nigerian that was born maybe outside of a very rich family or big city. You have big dreams; you want to go change the world. The vision seems so big but by the time I read the story, I saw the work they are putting into it, the structure and everything, I fell in love with the project. I am very proud of what we have done and be part of this project. All the actors, the whole team did a great job.”
The film’s producer and CEO of Utricle Studios, Nduka Enweliku, provided more context on the story and the challenges behind the production.
He said: “It is the story of an Agama lizard that left the hinterland and went in search of a better life in Lagos. He left there with his band because Gammy is the head of a music band. The movie details his journey from the hinterland to Lagos.”
Enweliku also addressed the broader significance of the project within the African animation space.
“It took us a while to come up with the movie. That is why it is difficult to see animation in Africa because of the cost and skill level. Someone has to lead the charge in going into animation. We led the charge to ensure that Nigeria becomes a destination for animation outsourcing. That is another way to create employment for our people and increase our own non-oil exports. The animation you see abroad basically are not done in the United States, some are done in Asia—Vietnam, Indonesia, China, India – all those places.”
He further emphasized the film’s appeal across generations, noting its musical selections and cultural roots.
“Funny enough, people associate animation with kids but it is not only for kids. In this movie, you will hear a lot of old songs like Majek Fashek’s Send Down the Rain, Mandator’s Rat Race, Willy Onyeabor’s Higher, Higher… a lot of old songs. It resonates with both the old and new generation. This particular animation cuts across. It is a Nigerian story. And for the older audience, it takes them back to where we were as a nation and for the kids, they will understand where we are coming as a nation and get inspired.”
Grammy and the Living Things promises to be a landmark contribution to African animated cinema, spotlighting Nigerian talent and culture through a blend of nostalgia, ambition, and innovation.
